Credit: Sabrina Miso  
Costume: Hannah Sofia Eriksson  

Residuals (住み・墨)

solo, 35 min (tour-ready)

Creation/performance:
Shion Skye Carter
Lighting design: Andie Lloyd
Music: Stefan Nazarevich
Creative consultant: Ziyian Kwan
Dramaturg: Tomoyo Yamada
Video design: Colin Williscroft
Costume: Hannah Sofia Eriksson
Calligraphy mentor: Yoko Murakami, at Gladstone Japanese Language School
Prop design: Matthew Wylie
Photograhy: Lula-Belle Jedynak

Created and performed by award-winning choreographer Shion Skye Carter, Residuals (住み・墨) is a solo which draws visual, sonic, and physical influences from Japanese calligraphy. Multiple interdisciplinary elements are interwoven with dynamic contemporary dance in the work, including full-stage video projections, sculptural costume and prop design, and bilingual spoken text. Dynamic brushstrokes inform Carter’s movement as she traverses hundreds of sheets of translucent paper, evoking an abstracted memory of her Japanese grandparents’ rural home while reconnecting to experiences of cultural displacement and fragmented feelings of 'home'. These memories spark a journey of introspective self-discovery, where the layers of her identity begin to unfurl.

This project has been made possible with support from the Iris Garland Emerging Choreographer Award, Powell Street Festival Society with support from Canadian Heritage, Dumb Instrument Dance’s sponsorship through City of Vancouver Cultural Services, Canada Council for the Arts, and the National Association of Japanese Canadians.

Oct, 2024 (date TBA)
Tour: Festival of New Dance, LSPU Hall, St. John’s NL

Sept 30, 2024

Tour: Prismatic Arts Festival, Bus Stop Theatre, Halifax NS

March 29 + 30, 2024

Tour: Expanse Festival, Westbury Theatre, Edmonton AB

Feb 8 + 9, 2024

Tour: OUTstages Queer Arts Festival co-presented by Intrepid Theatre and Dance Victoria, Metro Studio Theatre, Victoria BC

Nov 5-6, 2022
Western Canada premiere co-presented by The Dance Centre/Powell Street Festival Society, Faris Family Theatre, Vancouver BC

Oct 23-26, 2021
World premiere presented by Tangente, ÉDIFICE WILDER Espace Danse, Montréal QC

Jan 15-25, 2021
Dance Victoria Dance Days Festival, online film screening

Sept 23, 2020
Work-in-progress sharing at Studio Salon presented by Co.ERASGA, What Lab, Vancouver BC

Feb 6-8, 2020
Work-in-progress sharing at Open Studio Series presented by Kinetic Studio, DANSpace, Halifax NS

...One of the most compelling dance sequences features Carter channeling memories, impressions, and moments from her grandparents’ house in rural Japan through her body; watch her squat and inhale an invisible cigarette.


Who we have met, where we have been, and what we remember make us what we are. Calligraphy is meant to be a pure expression of our souls and spirit, and in a way that is difficult to articulate in words, the Iris Garland Emerging Choreographer Award-winner manages to show us complex inner layers of herself—without ever being literal. The piece is also just really cool to watch, with its parchment-coloured light and distinct visual language.
— Stir Magazine (Nov 2022)
Shion’s soulful exploration and portrayal of her grandparent’s home, filled with love notes to her upbringing, is clearly rooted in her respect, study and admiration of Japanese calligraphy and culture. Watching her move through the piece was a visceral experience, evoking in me a kinetic longing to honour and give thanks to my own ancestors.
— Nasiv S, audience member
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